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Posts Tagged ‘pagan’

Invocation to the Holy-Stone

I have found
A holy-stone upon the ground.
O Fate! I thank thee for the happy find,
Also the spirit who upon this road
Hath given it to me;
And may it prove to be for my true good
And my good fortune

hagstones by Sara Star

When you see a holey stone or hag stone on the ground you should say something in gratitude to the spirits that left it there for you. The above is just an example from the Gospel of Aradia.

Now once you have one, what do you do with it? You can’t really hold it in front of your eyes all the time to look for the fae.*

Making a hagstone cord is a useful project. You can make it with one hag stone and multiple knots, or multiple hag stones and multiple knots. The number varies between spells. I say chose a number with meaning to you. Chumbly’s consecration has 7 knots in a black leather cord, Bramshaw’s has nine knots and up to nine hagstones on a red string.

Either way, the point is to concentrate on a different otherworld setting for each knot, including at least one at a witches sabbat. Visualization is important on this one. Each knot is a place you want to go to. Once you have tied the knots you will string the hagstone(s) on and tie it off as a bracelet.

As you string the knots through the hagstones picture you are running each destination through the gate to the otherworld, fey land, underworld, astral, and so on.

You will hold the bracelet with at least one of the stones in your off hand (non dominant hand) as you sleep. Your dreams shall be significant astral or otherworldly dreams rather than regular dreams. You will travel to one of your chosen destinations.

If you don’t remember what happened in the astral dreams, but remember you had them. Then some part of you does remember and it will still impact your knowledge and practice.

If the you find it isn’t working and you aren’t going anywhere. Meditate with your stone specifically on one of the chosen dreams and journey there in meditation. There is plenty to be done that way as well.

I have found this tool to be very powerful and my dreams have changed when I wear my hagstone cord. I know where I have gone each night, but unfortunately I cannot remember much of what happened when I wake up. But I feel different somehow and I stopped having nightmares.

*Spiderwick Chronicles art by Tony DiTerlizzi

Black, Holly. Spiderwick Chronicles. 2004 http://www.amazon.com/The-Spiderwick-Chronicles-Boxed-Set/dp/0689040342/ref=sr_1_1?ie=UTF8&qid=1335197860&sr=8-1

Bramshaw, Vicki. Craft of the Wise. 2009 http://www.o-books.com/book/detail/616/Craft-of-the-Wise

Chumbly, Andrew. “What is Traditional Craft?” http://www.xoanon.co.uk/xoanontraditionalcraft.php

Leland, Charles. Aradia, Gospel of the Witches http://www.sacred-texts.com/pag/aradia/ara06.htm

Traditionalwitchcraft.com wiki “Hagstone.” http://www.traditionalwitchcraft.com/Hagstone

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A photo of a magical place outdoors:

Our outdoor ritual space by Magical Musings

My coven has a few outdoor areas we work in, but the most magical is when whatever space we are in seems to lift out of place and time and we are surrounded by mist or darkness and all that is there is the magic.

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Lugh

Lugh

A favorite God

Lugh/Luga/Llew is a pan-Celtic God.  He has the city of Lyons named for him, as well as a pan-Celtic holiday, Lughnasadh held is his honor or in honor of his foster mother Tailtu in August.   He is a god of many skills, granted to him by his mother and he is a god of light, he has a very bright aura like the sun.

Many of my favorite masculine Irish figures are not gods, but rather demi-gods or heroes: Fionn, Cuchulian, Ossian, and Angus.  However, Lugh is all God, so I call him one of my favorites.

We recently held Lughnasadh and we always have an excellent loaf of bread made by one of my coven mates and this year was no different.  It wasn’t long before we had eaten all of him except for the best share which was offered to Him for fertility in our crops.

Lugh Bread

Lugh Bread

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Keeper and Companion

Keeper and Companion painting by Sara Star in sepia tone

A favourite Goddess.

One of my favorite Goddesses is Brigit. I paint her aspect as a Saint quite a lot. And I hope to paint her more in pagan art.

Brigit is so many things, a hearth goddess, a well and spring water goddess, a muse, a healer a forger. I find she is all things relating to creation the spark of inspiration the making and the repairing/treating of the created.

As an artist I find her especially helpful and I think of her often and am devoted to her.

There are so many traditions associated with Brigit. From the Brigit’s mantle that you set out to collect due on Imbolc Eve, to the Brigit’s dolly and bed, to flame cells, to well dressings.

Brigit is my ama chara, my heart kindred friend. I love her and want to be alike to her.

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Sara water 1 by aprilskiver
Sara water 1, a photo by aprilskiver on Flickr.

Picture of nature (water element)

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What’s your witchy background?

Little Witch

It all started on Halloween 1983

It began when I was very young, just  a girl and I was interested in witches and sympathetic to them and their familiars in stories–even when they were cast as the bad guys.  My mom encouraged my interest and taught me wishcraft and protection energy work.   She and my father were non-members of a new age eastern christian fusion church, Unity.  I became interested in Druidry and Irish folk custom in college, a few of my teachers were witches and druids in college, and one of my class mates was the priestess of an interfaith coven, and I started to get involved with it.  Her group broke up and decided to go totally Wiccan instead of interfaith. I moved on into a sort of Coptic/Gnostic interest in Christianity, especially iconography and Mary Magdalen and priestess and Mary Mother of God.

From there it was only a matter of time before I became pagan and witch.

Because of my background, I knew a number of solitary witches and magicians.  Friends lent me books, and one trusted friend suggested I find a group.  I shopped around a bit and eventually found Amy as she was founding her new group (she had moved to a new area too far from her old coven).  And we started, the group slowly grew, often it was only the two of us.  We studied together, she taught me a bit, and now it is at six/seven members.  I studied a ton, and I don’t recall exactly why, but Amy and I got interested in mandrakes.

My internet searches for how to grow mandrakes led me to a now defunct forum on Traditional Witchcraft.  I joined and learned and learned and researched and practiced and experimented so I could begin to give back.  Around the same time, I caught wind of Celtic Reconstructionalism–probably through one of the groups I tried out on experimental magic.

I also began to study under Jack Darkhand in the Millennium Tradition he was founding.   It is a Celtic and Witchcraft magic tradition and spirituality way.   I studied intensely his lesson for about half a year, read thoroughly on theory and spent a lot of time building my practice.  Then Jack Darkhand let me know he was dying.   Later on he and I had a small disagreement that led to us not continuing our lessons, but partin on good terms.  He died a year later and I went to his funeral to try and find other members of his tradition, but I did not, his friends told me it was a new tradition and only his widow is privy to more information than I am.  It saddens me know, because I mostly came around to his point of view on the disagreement and all those months of lessons we lost over it.

These three major sources molded me and I continue to work from lessons from all three, Traditional Craft, CR, and Jack Darkhand.  I bring all these things into the picture when I work with the coven and the other members bring their compatible but diverse backgrounds in as well.

It was ten years ago May, that I first got involved in magical and mystical traditions, and 6 years of being a pagan polytheist.

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Used book stores can be just like in the movies and books, musty crowded places run by witches, pagans or at least those who don’t mind carrying a selection of pagan books.  When you discover a used book shop that carries pre-read magic books, you have hit gold!

Vancouver, Washington:

Cover to Cover Books

(360) 993-7777

6300 NE St. James Rd., Suite 104B

Vancouver, WA 98663

Mel runs a great shop, she is very involved with the local community. I have on and off attended the Ghost Town Poetry readings that are monthly at her shop.  There are a few pagan poets who come now and then.  It can be quite inspiring and a good place to meet people.  Cover to Cover has a full wide shelf of witch and pagan books, and a few shelves of other occult and new age stuff too.  Don’t miss the shelves right by the counter, they have local Vancouver area ghost stories and a few occult thrillers by local great Lilith Saintcrow.  Look up and see some original art by local painters. And the best part? Cover to Cover has a bookstore cat, his name is Smedley.

Cover to Cover Cat

Cover to Cover's Cat

Portland, Oregon

S. M. U. T.

(503) 235-7688

7 SE 28th Ave

Portland, OR 97214

No particular reason that I can tell why this thrift/junk shop is called S. M. U. T. (So Many Unique Treasures).  There is some kitschy stuff, some retro clothes, tons of cheap records, and a bunch of paperback books.  I can usually leave with at least two or three old witchy books for 5-10 dollars.  There are so many books and the organization is a little strange, so I can easily end up spending an hour looking through everything for treasures.  One of my favorite finds that combined the kitschy and the witchy was Chant-o-Matics by Raymond Buckland–after getting my laughs out, I traded it in at Cover to Cover to get different books.  Mel got a good laugh at it too.

So Many Unique Treasures

The rummaging to be had at (S)o(M)any(U)nique(T)reasures

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